My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented on bass guitar, n drums and on piano, we were carried along by a wonderfully rhythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented by on bass guitar, n drums and piano, we were carried along by a wonderfully thythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented by on bass guitar, n drums and piano, we were carried along by a wonderfully thythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
My dad played bass for my mum's choir on the weekend and he got name dropped in the review so he copy pasted it and sent it to me. He's so pure and I love him. audience with their musicality and enthusiasm. Unusually, the programme included not one but two settings of the Mass, one written in our own time, and the other in that of Elizabeth I. The contrast worked. Under the musical direction of and supplemented by on bass guitar, n drums and piano, we were carried along by a wonderfully thythmic performance of Bob Chilcott's 'A Little Mass'. Full of blues and jazz sounds, the music lifted both choir and audience. The second work
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